25/01/2012
Son Gallery are pleased to present Yuri Pattison’s solo exhibition focal-plane'.
We are open late on Friday so please come and see Yuri's critically acclaimed Focal Plane: http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk
In the installation traditional museum vitrines are used as a display area for complex digital media systems through which visual material is streamed. This includes found video from nuclear surveys carried out in the aftermath of the 2011 Japan earthquake, a series of photographs taken by Pattison at the derelict site of the 2004 Athens Olympics, and more ephemeral material channelled through a live internet feed from social media websites and tumblr’s. The gallery itself, painted in unconventional, neutral colours and with the vitrine packing cases set as a spectating area, creates an engaging physical space intended to foreground virtual material.
Pattison’s display methods elevate the impermanence of the digital file alongside the permanence of traditional artistic media, he says, “this mirrors my interest in how the internet has collapsed time: that while everything is changing at an amazing pace, the recent past is also as present as ever.” As a result dystopic themes recur in Pattison’s work as an increasingly accessible past haunts an increasingly disposable now. This sentimnet is countered, however, by the creative opportunities Pattison evokes in such cross-overs.
We are open late on Friday so please come and see Yuri's critically acclaimed Focal Plane: http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk'> http://artforum.com/picks/section=uk
In the installation traditional museum vitrines are used as a display area for complex digital media systems through which visual material is streamed. This includes found video from nuclear surveys carried out in the aftermath of the 2011 Japan earthquake, a series of photographs taken by Pattison at the derelict site of the 2004 Athens Olympics, and more ephemeral material channelled through a live internet feed from social media websites and tumblr’s. The gallery itself, painted in unconventional, neutral colours and with the vitrine packing cases set as a spectating area, creates an engaging physical space intended to foreground virtual material.
Pattison’s display methods elevate the impermanence of the digital file alongside the permanence of traditional artistic media, he says, “this mirrors my interest in how the internet has collapsed time: that while everything is changing at an amazing pace, the recent past is also as present as ever.” As a result dystopic themes recur in Pattison’s work as an increasingly accessible past haunts an increasingly disposable now. This sentimnet is countered, however, by the creative opportunities Pattison evokes in such cross-overs.
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